The public can search for these records through state and local law enforcement agencies. Instead, arrest records carry information about an arrest made on suspicion of illegal activity and such records may be critical to a person's conviction.

This is because a person does not have a criminal record unless the individual has been found guilty of a crime. It is essential to understand that arrest records are not the same as Georgia criminal records. These documents detail the arrest event and include information about the offense and suspect. A book of essays, My Beloved Wager, will appear in September from NeWest Press.In Georgia, state and municipal law enforcement agencies generate and retain arrest records after a person is arrested. Her translation of Galician poet Chus Pato’s Charenton came out in 2007 from Shearsman (UK) and BuschekBooks (Ottawa) and her translation of Pato’s m-Talá appeared in 2009 from the same presses. Her 2005 Little Theatres was shortlisted for the Griffin Prize, Pat Lowther Memorial Award and the GGs it won the AJM Klein Prize, made the Globe 100, and was translated into Galician as Teatriños (Galaxia, 2007). Her first book, Abandon (2005) has been translated into Spanish as Abandono and will soon appear in Mexico City.Įrín Moure has written a dozen books of poetry, most recently O Cadoiro (2007). She has translated Nichita Stănescu from Romanian, Louise Cotnoir and Geneviève Desrosiers from French, created visual textworks for galleries in Montreal and Vancouver, and has performed her work in Canada, the US, Mexico and Europe. Oana Avasilichioaei is a poet and translator who transformed the landscape of Vancouver’s Hastings Park into an acclaimed book of poems, feria: a poempark (2008). “Avasilichioaei and Moure inhabit the force of our persistent urge to mean, they send words spinning into the catastrophe of history and interpretation.” -Christine Stewart for Canadian Literature “Expeditions expedites you into a circus: there is disguise, an acrobatic puff of smoke, a clown’s painted face, a human cannonball and, down below its tightrope, an arena full of pawprints, with no net to catch your fall.” -Otilia Acacia

O Cadoiro by Erín Moure